Mission Statement / Value

Artist Statement

Janet Day – Reflections on 24 Years of Spinning Yarn

For nearly a quarter of a century, hand spinning has been more than just a craft for me—it’s been a passion, a meditative practice, and a steady companion through life’s many ups and downs. In recent years, it has also become a meaningful way to connect with both the past and future, as interest in traditional fibre arts continues to grow.

Over the past 24 years, I’ve found deep joy in the simple rhythm between fibre and fingers, transforming raw fleece into yarn. I began with little more than a desire to spin—I wasn’t much of a knitter, and weaving felt like something far off in the distance. But after learning from the generous and skilled spinners in Horsham, and continuing to grow through practice and experimentation, I’m grateful to have discovered a form of artistic expression that feels deeply personal and alive.

Throughout this journey, I’ve developed my own techniques—ways of working that reflect my curiosity and creative instincts—while always paying homage to the traditions and knowledge passed down through generations. These approaches have become the foundation of my teaching, both in Australia and internationally.

Teaching has become a natural and rewarding extension of my practice. Whether in a class, a workshop, or an informal gathering, I aim to create spaces where tradition meets curiosity—where beginners experience the magic of their first hand spun yarn, and experienced spinners are encouraged to explore new directions. My approach honours the history of hand spinning, while welcoming playfulness, interpretation, and innovation.

Through teaching, I’ve witnessed the many ways spinning can touch people’s lives—offering comfort, inspiring creativity, and building community. Craft, I’ve learned, is not static; it evolves with every hand that turns the wheel.

At the heart of my work is a desire to help others build confidence and connection through fibre—to discover their own voice, embrace imperfection, and contribute to the living thread of this ancient art.

Hand spinning, for me, is more than just a technique—it’s a quiet and stubborn act of rebellion against the hurried pace of modern life and the constant push for efficiency at all costs. In a world that values speed and convenience, choosing to spin by hand is an intentional pause—a way of reclaiming time and attention. It’s a celebration of slowness, care, and the deep connection between hand and fibre. Each skein I spin, and each student I guide, becomes part of this ongoing story—a gentle reminder that there is wisdom in the time things take, and beauty in the rhythm of making.